Why Is Sarah Bernhardt in Gizmonda Considered Art Nouveau

Sarah Bernhardt, built-in in Paris in 1844, was a French stage actress from Paris who starred in some of the most pop French plays of the tardily 19th and early 20th centuries, and is considered the muse of Art Nouveau. "The Divine" was discovered past Alphonse Mucha and was his muse for a long time.

Her portrait was painted past the almost celebrated artists in Paris, her advertizement posters literally defined French Fine art Nouveau, but it was her photographs that turned her into an idol. The beauty ideals were different than those of nowadays, as it can exist seen in the following examples:

She was a real influencer. An example is that she was one of the first women to wearable Art Nouveau jewellery leading the fashion of that times. Equally a result of her popularity and influence, intellectual aristocrats and society women followed. They wore Lalique'south jewels with free-flowing velvets rather than the tight corsets, film hats and hourglass silhouettes of their less avant-garde contemporaries. In 1900, the Paris Exposition would spread this new look to a wide international audition. If you want to read more about Art Nouveau Jewellery CLICK Hither.

In the previous era, women could show almost no skin bated from their faces, and bare skin in Victorian art had been every bit rare. But as Art Nouveau flourished, women were allowed – and demanded – more personal freedom, and this new attitude is reflected in the artwork. Fine art Nouveau historic the curves of the female body, often showing nude mythological women with long, flowing, wavy hair. Cult of the female effigy was growing.

Sarah Bernhardt had a hard childhood of delicate wellness and wanted to become a nun, but i of her mother's lovers, the duke de Morny, Napoleon Iii'due south half brother, decided that she should be an actress and, when she was xvi, bundled for her to enter the Paris Conservatoire, the regime-sponsored school of acting.

Sarah quickly became a star in the French Theater scene and became an international star traveling to South America, Australia, US and Commonwealth of australia. I major indicator of social alter in France during this period is the theater. Out of an urban population of about four million, journalists of the day estimated that 1.5 million people attended a play each month. For many analysts she was the greatest actress ever.Parisians "lived with theater, past theater, and for theater". She also wrote her ain theater scripts.

Afterwards decades in the theatre world, around the turn of the century Bernhardt began acting in films, actualization in some of the earliest motion pictures, such as versions of Hamlet (1900, as Hamlet) and La Tosca (1908).

In 1905 Sarah left for her farewell tour of the Americas and while performing La Toscain Rio de Janeiro she injured her genu. She continued to tour and perform but the genu never properly healed and she was in constant pain. At the age of 71, despite the objections of those effectually her, she had the leg amputated. Sarah died of kidney failure on 26 March 1923 and on tens of thousands of people lined the streets of Paris for her funeral cortège.

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More most her life in The Wikipedia: CLICK Hither.

One hundred years ago the Art Nouveau hit Europe like some great stylistic storm. From Paris to Prague, from Budapest to Brussels, this revolutionary manner of art placed as much emphasis on blueprint every bit on content, and was every bit much at ease applied to a cookie tin can or a streetlamp as to a canvas. Information technology was loved and loathed in equal measure. But its impact was such that its influence spread to compages and the decoration of unabridged buildings.

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Source: https://artnouveau.club/sarah-bernhardt-influencer/